INTERNATIONAL MUSICOLOGICAL SYMPOSIUM

34th Slovenian Music Days

4. April - 5. April 2019
10.00 am - 4.00 pm
Knight's Hall, Križanke
Free entrance

Important information

General

Audience members are politely reminded that mobile phones, watches and other technical devices emitting acoustic signals must be switched off during performances.

Audio and video recording and photography are prohibited at all Ljubljana Festival events.

Once purchased, tickets will not be refunded.

Tickets will not be refunded if an event is interrupted by a power failure or (in the case of outdoor events) adverse weather, or disrupted by noise or any other external factor.

If an event is cancelled you may exchange your tickets for tickets to any other Ljubljana Festival event or request a refund, which must be collected within one month.

The Ljubljana Festival reserves the right to change the programme, performers, venues and scheduled start times.

Ljubljana Festival tickets are exempt from VAT (Point 13 of Article 42 of the Value Added Tax Act in conjunction with Article 69 of the Rules on implementation of the Value Added Tax Act).

Križanke Summer Theatre

The roof of the Križanke Summer Theatre was damaged by late snowfall in 2016. As a result, seating in the venue is currently exposed to the elements. Seats in rows 9A, 14 and 15, seats in the balconies and seats located by statues and towers have a restricted view of the stage.

Theme :
THE CONSERVATORIES IN THE PROCESS OF PROFESSIONALISATION AND SPECIALISATION OF MUSICAL WORK: ON THE CENTENARY OF THE FOUNDING OF THE LJUBLJANA CONSERVATORY AND THE 80TH ANNIVERSARY OF THE MUSIC ACADEMY

Head of Symposium: Jernej Weiss

Thursday, 4 April
At 9.15 am
Welcome speeches: 
Marko Vatovec (dean of the Academy of Music)
Jernej Weiss (Head of the Musicological Symposium)
At 9.30 am
Keynote Lecture
Hartmut Krones (Vienna): Paris (1784/1796) – Prag (1808/1811) – Wien (1812/1817): Zur frühen Entwicklung musikpädagogischer Konzepte / Pariz (1784/1796)–Praga (1808/1811)–Dunaj (1812/1817): O preteklem razvoju glasbenopedagoških konceptov / Paris (1784–1796) – Prague (1808–1811) – Vienna (1812–1817): On the early development of music education concepts
At 10.00 am
Chairman: Luba Kijanovska
Helmut Loos (Leipzig): Das Konservatorium der Musik zu Leipzig in der Zeit nach dem Ersten Weltkrieg / Konservatorij za glasbo v Leipzigu po prvi svetovni vojni / The Leipzig Conservatory of Music in the period after the First World War
Peter Andraschke (Giessen): Alte und Neue Musik in Praxis und Lehre an der Universität und Musikhochschule in Freiburg i.Br. / Stara in nova glasba v praksi ter poučevanje na Univerzi in Visoki šoli za glasbo v Freiburgu i. Br. / Old and New Music in practice and teaching at the University and Hochschule für Musik in Freiburg im Breisgau
Friedhelm Brusniak (Würzburg): 10 Jahre Internationale Leo-Kestenberg-Gesellschaft (IKG) / 10 let Mednarodnega združenja Lea Kestenberga (IKG) / 10 Years of the International Leo Kestenberg Society (IKG)
At 11.30 am 
Chairman: Helmut Loos
Jana Lengová (Bratislava): Das Konservatorium in Bratislava und die ersten drei Jahrzehnte seiner Tätigkeit (1919–1949): Persönlichkeiten, Struktur, Bedeutung / Konservatorij v Bratislavi in prva tri desetletja njegove dejavnosti (1919–1949): osebnosti, struktura, pomen / The Conservatory in Bratislava and the first three decades of its work (1919–1949): people, structure, significance
Luba Kijanovska, Zoryana Lastovetska-Solanska (Lviv): The Lviv Conservatory between the two world wars as a model of post-Habsburg musical education / Konservatorij v Lvovu med svetovnima vojnama kot model posthabsburškega glasbenega izobraževanja
Luisa Antoni (Trieste): Trst in Gorica / Trieste and Gorizia
At 2.30 pm
Chairman: Ivana Medić
Niall O’Loughlin (Loughborough): In the shadow of Parry, Mackenzie and Stanford – musical composition studies in the principal London conservatories from 1918 to 1945 / V senci Parryja, Mackenzieja in Stanforda – študij glasbene kompozicije na glavnih londonskih konservatorijih med letoma 1918 in 1945
Wolfgang Marx (Dublin): Irish conservatories during the interwar period / Irski konservatoriji v medvojnem obdobju
Jacques Amblard (Aix-Marseille): “Messiaen’s progress” and the Conservatoire de Paris (1919–1945) / »Messiaenov napredek« in pariški Konservatorij (1919–1945)
At 4.00 pm
Chairman: Lana Paćuka
Antigona Rădulescu (Bucharest): Towards a genuine university status: The National University of Music in Bucharest between the two world wars (1918–1940) / Pravemu univerzitetnemu statusu naproti: Narodna univerza za glasbo Bukarešta med obema vojnama (1918–1940)
Danutė Petrauskaitė (Klaipėda): From courses to a conservatory: Issues of institutionalisation of musical education in Lithuania (1919-1949) / Od tečajev do konservatorija: težave pri institucionalizaciji glasbenega izobraževanja v Litvi (1919–1949)
Vita Gruodyte (Vilnius): Visions of Lithuanian music education / Vizije litovskega glasbenega izobraževanja

Friday, 5 April
At 10.30 am
Chairman: Branka Rotar Pance
Jernej Weiss (Ljubljana–Maribor): Prelom na glasbeni sceni po letu 1918 na Slovenskem / A turning point in musical life after 1918 in Slovenia
Nada Bezić (Zagreb): Konservatorij Hrvaškega glasbenega zavoda v Zagrebu in Konservatorij Glasbene matice v Ljubljani – primerjava / The conservatory of the Croatian Music Institute in Zagreb and the conservatory of the Glasbena Matica in Ljubljana – a comparison
At 11.30 am
Chairman: Jernej Weiss
Branka Rotar Pance (Ljubljana): Pouk glasbenih predmetov v obdobju od ustanovitve Konservatorija Glasbene matice do formiranja Glasbene akademije / The teaching of musical subjects in the period from the establishment of the Conservatory of the Glasbena Matica to the formation of the Music Academy
Darja Koter (Ljubljana): Proces ustanavljanja in prva leta delovanja Glasbene akademije v Ljubljani (1939–1945) / The founding of the Music Academy in Ljubljana and its first years of activity (1939–1945)
At 2.30 pm
Chairman: Darja Koter
Ivan Florjanc (Ljubljana): Glasbenoteoretski in kompozicijski prispevek Slavka Osterca med učiteljevanjem na Konservatoriju in Glasbeni akademiji v Ljubljani / Slavko Osterc’s contribution to music theory and composition at the Conservatory and Music Academy in Ljubljana
Primož Kuret (Ljubljana): Polemika o kompozicijski šoli / The school of composition controversy
At 3.45 pm
Chairman: Nada Bezić
Lana Paćuka (Sarajevo): Socio-political discourses of the development of music education in BiH before and between the two world wars / Družbenopolitični diskurz razvoja glasbenega izobraževanja v Bosni in Hercegovini pred svetovnima vojnama in med njima
Ivana Medić (Belgrade): Beginnings of the piano department at the Belgrade Academy of Music / Začetki oddelka za klavir na Akademiji za glasbo v Beogradu
Marjana Vajngerl (Maribor): Pomen Janka Ravnika v slovenski klavirski pedagogiki / The importance of Janko Ravnik to piano teaching in Slovenia

Important information

General

Audience members are politely reminded that mobile phones, watches and other technical devices emitting acoustic signals must be switched off during performances.

Audio and video recording and photography are prohibited at all Ljubljana Festival events.

Once purchased, tickets will not be refunded.

Tickets will not be refunded if an event is interrupted by a power failure or (in the case of outdoor events) adverse weather, or disrupted by noise or any other external factor.

If an event is cancelled you may exchange your tickets for tickets to any other Ljubljana Festival event or request a refund, which must be collected within one month.

The Ljubljana Festival reserves the right to change the programme, performers, venues and scheduled start times.

Ljubljana Festival tickets are exempt from VAT (Point 13 of Article 42 of the Value Added Tax Act in conjunction with Article 69 of the Rules on implementation of the Value Added Tax Act).

Križanke Summer Theatre

The roof of the Križanke Summer Theatre was damaged by late snowfall in 2016. As a result, seating in the venue is currently exposed to the elements. Seats in rows 9A, 14 and 15, seats in the balconies and seats located by statues and towers have a restricted view of the stage.