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International Musicological Symposium

Operetta between the two World Wars – On the 100th Anniversary of the Opening of the Opera of the Slovene National Theatre in Maribor

15. April - 16. April 2021
Festival Ljubljana Website
Free entrance

Important information

General Terms and Conditions

Head of the Musicological Symposium: Jernej Weiss
Open to the public

Thursday, 15 April

At 9.15 am
Welcome speeches:
Simon Krečič (Artistic and Musical Director of the Opera SNG Maribor)
Jernej Weiss (Head of the Musicological Symposium)

At 9.30 am
Keynote lecture:
Kevin Clarke (Amsterdam) Operetta as safe space: 1855-2020

At 10.00 am
Chairman: Luba Kyyanovska
Hartmut Krones (Vienna): Operetta composers’ fight for recognition and fair compensation for their intellectual property
Helmut Loos (Leipzig): Erich Wolfgang Korngold – torn between light music and serious music

Break 11.15 – 11.30 am

At 11.30 am
Chairman: Hartmut Krones
Ingeborg Zechner (Graz): When Operetta Meets Film: Perspectives on the Mediality of Sound Film-Operetta in the early 1930s
Stefan SchmidlTimur Sijaric (Vienna): Ambivalence and transfiguration. Willi Forst´s “Viennese trilogy” and the paradigms of operetta
Luba Kyyanovska (Lviv): Ukrainian operetta in the 1920s and 1930s as a mirror of socio-political processes

At 2.00 pm
Chairman: Kevin Clarke
Magdolna Jákfalvi (Budapest): Identitymachines. The nationalism of the Hungarian operettas between the two World Wars
Daniel Molnár (Budapest): 288 metres of velvet, 16 pairs of shoes, 12 yellow cylinders, 5 bathtubs… – Staging the 1925 production of “Hallo, Amerika” in the Budapest Operetta Theatre
Ryszard Daniel Golianek (Poznan): National stereotypes and political issues in Polnische Hochzeit (1937) by Joseph Beer

Break 3.15 – 3.30 pm

At 3.30 pm
Chairman: Magdolna Jákfalvi
Matthieu Guillot (Strasbourg): Operetta as a cultural and historical symptom
Jacques Amblard (Aix–Marseille): Operetta in Marseille (France) during the 1930’s: A bridge to the new cultural industry. The example of Tino Rossi
Vita Gruodyte (Vilnius): The (non-) seriousness of culture

Friday, 16 April

At 9.00 am
Chairman: Stefan Schmidl
Michal Ščepán (Bratislava): Operetta on the scene of the Slovak National Theatre during years 1920–1939
Tatjana Marković (Vienna): Contested entertainment: Discussions on operetta in Belgrade, The Kingdom of SCS/ Yugoslavia
Fatima Hadžić (Sarajevo): Operetta in Sarajevo between the two World Wars

Break 10.15 – 10.30 am

At 10.30 am
Chairman: Jernej Weiss
Primož Kuret (Ljubljana): Mahler in opereta
Henrik Neubauer (Ljubljana): Operetta in Ljubljana between the wars
Luisa Antoni (Trieste): Operetta in Trieste and (perhaps) Gorizia

At 1.00 pm
Chairman: Darja Koter
Igor Grdina (Ljubljana): Forgotten operettas: between reconstruction and new interpretation
Borut Smrekar (Celje–Ljubljana): Marjan Kozina: Majda
Ana Kocjančič (Ljubljana): Operetta set design in Slovenia in the light of the historical avant-garde

Break 2.15 – 2.30 pm

At 2.30 pm
Chairman: Borut Smrekar
Manica Špendal (Maribor): Different views of operetta and its reception through history at the Maribor theatre
Jernej Weiss (Ljubljana–Maribor): Operetta between the wars at the Slovene National Theatre Opera in Maribor
Darja Koter (Ljubljana): Operetta productions at SNG Maribor between the wars in the light of directorial approaches

Break 3.45 – 4.00 pm

At 4.00 pm
Chairman: Tatjana Marković
Niall O’Loughlin (Loughborough): Operetta at the Crossroads: Radovan Gobec’s Planinska roža
Karmen Salmič Kovačič (Maribor): Tracing the background to the “Maribor operetta war” after the Second World War and the further development of operetta at SNG Maribor

Important information

General Terms and Conditions