E. Kálmán: COUNTESS MARITZA, operetta

Komedija Theatre, Zagreb

HIGHLIGHTS of 68th Ljubljana Festivall
8. September 2020
8.30 pm
Congress Square
35€, 29€, 25€, 20€, 15€, 9€
The alternative date in case of bad weather is September 9 2020. The definitive date will be decided on the day of the event and announced online at ljubljanafestival.si.

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Note: This information pertains to a past event. For the most up-to-date information, please check our calendar.

·a light and playful operetta with a dramatic plot and a happy ending
·a constant of the classical repertoire
·one of the biggest hits of the Silver Age of Viennese operetta
·blends the rhythms of the traditional Hungarian csárdás with Viennese waltz

Director: Ozren Prohić
Conductors: Krešimir Batinić Davor Kelić

Orchestra, chorus and ballet of Komedija Theatre, Zagreb

Cast:
Countess Mariza: Darija Auguštan/ Sandra Bagarić
Prince Populescu:  Ervin Baučić
Baron Kolomán Zsupán: Dražen Bratulić / Goran Malus
Count Tassilo Endrödy-Wittemburg: Filip Hozjak / Žiga Kasagić
Liza, Tassilo’s sister: Danijela Pintarić / Lucija Jelušić
Karl Stephan Liebenberg: Zlatko Ožbolt
Princess Božena Guddenstein zu Chlumetz: Dubravka Ostojić
Grand duke: Damir Lončar / Vid Balog
Manja: Zorica Antonić, Kristina Habuš
Tschekko: Željko Duvnjak
Penižek: Antun Stašić / Leopold Stašić

Zagreb’s Komedija Theatre has brought Countess Maritza by Hungarian composer Emmerich Kálmán to the stage for the fourth time. This jewel of an operetta is one of Komedija’s most successful productions and has been seen by a total audience of more than 150,000 since its first staging in 1954. In its latest incarnation, premiered in November 2019, it is enjoying similar success. Critics have written: “It maintains its jocular tone thanks to the first-rate protagonists of this comedy of manners and imbues the love story with the nostalgic air of old Hollywood glamour”. The romantic comedy tells the story of a headstrong, rich and utterly charming Countess with a sense of humour, who, in a desire to rid herself of the importunate suitors paying court to her because of her fortune, simply invents a non-existent fiancé. Unfortunately matters do not go quite according to plan. The operetta was written between the world wars (in 1924) and combines the Viennese operetta tradition with passionate Hungarian rhythms. Alongside waltzes and csárdás, the score includes a foxtrot and other music with an American feel. Almost a century after its premiere, the charms of Countess Maritza have not waned and if anything have even grown.

Important information

General Terms and Conditions